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Manila Times Business

In ‘Always Lalisa,’ K-pop superstar Lisa comes of age and embarks on a new career in acting

TORONTO — Even people unfamiliar with the K-pop superstar Lisa, of the group Blackpink, have probably experienced her global sway. In the spring of 2024, the Thai singer and rapper was photographed with a strange little plush monster hanging from her handbag, grinning with serrated teeth. That was all it took for the Labubu craze to be born. “I’m sorry!” Lisa says. “But I can’t help it. It’s really cute. We’re kids!” It’s the morning af

Context & Analysis

For Philippine business readers, the story is less about one celebrity’s next project and more about how fandom has become a visible engine of consumer demand. Global pop stars no longer move products only through television ads or billboards; their daily habits, wardrobe choices, and social-media posts can create instant market signals. In the Philippines, where young consumers are highly connected across platforms and quick to turn trends into purchases, that influence is especially powerful.

This matters because fan-driven demand often moves fast and across categories: fashion accessories, beauty items, collectibles, music-related merchandise, event tickets, travel, food tie-ins, and even local reselling services. Companies that understand this channel can use it for product launches, community marketing, or limited-edition offers without relying on traditional mass-media spending. Retailers, e-commerce platforms, and small sellers may find opportunities in curated drops, fan events, or social commerce, while brands should be careful to secure proper licenses and avoid counterfeit risk.

For local businesses, the lesson is not merely that Filipinos follow global stars, but that fandom creates niche communities with strong trust, repeat spending, and willingness to pay for authenticity. A trend can start on a single social post and spread through group chats, short-video platforms, online forums, and offline meetups within days. That speed rewards agile operators who can source quickly, communicate clearly, and respect intellectual property. It also raises questions for regulators and marketplaces about counterfeits, imports, consumer protection, and fair competition when unofficial sellers ride the wave of a celebrity-linked product.

What to watch next is how entertainment companies and brands formalize these collaborations. If Lisa’s acting push continues to expand her visibility beyond music, expect more crossover opportunities in film promotion, fashion campaigns, lifestyle products, and regional activations. For Philippine firms, the opportunity lies in participating in that ecosystem through licensed partnerships, fan experiences, digital marketing, or service businesses around events and collectibles — not just by chasing a fleeting trend.

Analysis by IJE Software — original commentary on the story above.

This is an excerpt. Read the full article at the original source:

Source: manilatimes.net

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